My work has focused on auto\/biography, letter writing and oral history, particularly in relation to women\u2019s movements. This includes:<\/p>\n
- \n
- Dear Laughing Motorbyke: Letters from Women Welders of the Second World War<\/a> (Scarlet Press, 1997).<\/li>\n
- The Encyclopedia of Life Writing (Routledge, 2001)<\/a> American Libraries Association Outstanding Reference Book Award winner.<\/li>\n
- In Love and Struggle: Letters in Contemporary Feminism<\/a> (Columbia, 2008) which won the Feminist and Women\u2019s Studies Association UK Book Prize.<\/li>\n
- Sisterhood and After: An Oral History of the UK Women\u2019s Liberation Movement, 1968-present<\/a> <\/em>(Oxford University Press, 2019). This book was inspired by the Sisterhood and After: The Women\u2019s Liberation Oral History Project<\/a> which I was honoured to direct with Dr Polly Russell at the British Library (BL) from 2010-2013.\u00a0<\/li>\n<\/ul>\n
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<\/p>\nSee all the Sisterhood and After<\/a> interviews, with short films directed by Lizzie Thynne<\/a>, teaching packs, narratives, ideas and links to other oral history projects on the BL website<\/a>.<\/p>\n
It is my pleasure as Principal Investigator of The Business of Women\u2019s Words to work again with the BL and its innovative curator Dr Polly Russell. The Library\u2019s outstanding collections, including the Virago papers, oral histories of the British Book Trade and Women in Publishing and a digitised Spare Rib<\/em><\/a> are foundational to our research.<\/p>\n
We are delighted to contribute to new public debates and education through the library and through other feminist archival and cultural networks. Such activities in turn nurture our research into the controversial and important field of feminist business, enterprise and industry.<\/p>\n
Co-investigator \u2013 Dr Lucy Delap<\/h2>\n
I\u2019m a Reader in Modern British and Gender history at the University of Cambridge, and Fellow of Murray Edwards College. I have published widely on the history of feminism, gender, labour and religion, including the prize-winning The Feminist Avant-Garde: Transatlantic Encounters of the early twentieth century<\/em> (2007), Knowing Their Place: Domestic Service in Twentieth Century Britain<\/em> (2011), and with Sue Morgan, Men, Masculinities and Religious Change in Twentieth Century Britain <\/em>(2013).<\/p>\n
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I am a senior editor at History & Policy<\/a>, and have had extensive experience in knowledge exchange with policymakers, the media, activists and community groups. I\u2019m currently working on a history of modern feminism titled Feminism: a useable history <\/em>(forthcoming Penguin Books). My interest in feminist publishing has come about through my research on earlier phases of feminist periodical publishing<\/a> in the early twentieth century, as well as through some recent work on feminist bookshops in the 1970s to 2000s<\/a>. The bookshops suggest a relationship between the political commitments of women\u2019s liberation and the bookselling market that could be fraught, but could also incite new models of business management, employment, marketing and revenue. Understanding this is an important contribution to feminist history. It also contributes to the wider goal of pluralising capitalism and refusing the inevitability of a competitive, profits-driven race to \u2018the bottom line\u2019.<\/p>\nPolly Russell \u2013 Lead Curator for Contemporary Politics and Public Life, British Library<\/h2>\n
I direct the Eccles Centre for American Studies, having previously worked as the Lead Curator for Contemporary Politics and Public Life in the Manuscripts and Archives department at the British Library. Spanning the period from 1950 to the present day the collections I have been responsible for include the papers of parliamentary politicians, charitable institutions, campaigning organisations, political activists and leading editors, civil servants, scientists and academics. My own research interests include twentieth century women\u2019s movements and feminism, the history of British food and the social, cultural and political connections between food and everyday life.<\/p>\n
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As the British Library\u2019s project lead for Sisterhood & After: An Oral History of the Women\u2019s Liberation Movement <\/em><\/a> and for the\u00a0 digitised Spare Rib<\/em><\/a> magazine resource, I am delighted to be involved with The Business of Women\u2019s Words<\/em> (BOWW). BOWW provides welcome opportunities to showcase the British Library\u2019s unique collections and introduce a new generation of researchers to the Library. More specifically, the research project will build on and add to the library\u2019s existing Women\u2019s Liberation Movement collections by contributing new oral histories to our collections, creating an interactive map of the Women\u2019s Liberation Movement<\/a> and enhancing catalogue records to improve resource discoverability.<\/p>\nThe project will also draw attention to the research value of contemporary archives and manuscripts through the in-depth analysis of the Virago and Carmen Callil archives, explore the research potential of the digitised Spare Rib <\/em>magazine and will contribute to a new generation of Women\u2019s Liberation Movement research via academic publications and digital resources.<\/p>\n
Research Fellows<\/h2>\n
Dr Zoe Strimpel (2018-20)<\/h2>\n
I am a cultural and social historian of modern Britain. My research background concerns how the norms governing gender, romance in intimacy were rewritten in the 1970s and 1980s. A particular interest has been how the dissemination of Women\u2019s Liberation discourse shaped the ways in which ordinary, non-activist and often conservative women and men made sense of the romantic landscape and negotiated their quest for love in the 1970s, 1980s and 1990s. Key to this project was the monthly Singles<\/em> magazine (1977-1993), a magazine for the single and those looking for love, owned by the founder of national computer dating service Dateline. Its heated letters section testified to the high emotions, confusion, resentment but also excitement surrounding gender relations in post-1970 Britain.<\/p>\n
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It is with relish that I bring this archival background to bear on my exciting research role for BOWW. My remit here is to use Spare Rib<\/em> magazine (monthly between July 1972 and January 1993) as a lens for assessing how feminist activists pursued their publishing aims; in short, how they squared \u2018purpose with profit\u2019. As with Singles<\/em>, the Spare Rib<\/em> letters pages were the nerve centre of the magazine. They were a catalogue of fast-changing ideas, a barometer of feminist feeling and a testament to the heterogeneity and complexity of the movement. They were also the site in which the relationship between readership and magazine was fleshed out, and the place where core ideological and operational questions were confronted.<\/p>\nWhy was a magazine sold nationally at WH Smith constantly struggling to keep going from month to month? And, given that it was almost always in acute financial peril, how did it square its dire need for funds with its determination to shake free sexist advertising and traditional, hierarchized working practices? How far did Spare Rib<\/em> demonstrate that there was a space in \u2018the market\u2019 for a radically non-commercial, communally-run feminist magazine? How might its twenty-year run prompt us to rethink or nuance the term \u2018market\u2019?<\/p>\n
As well as investigating the business history of Spare Rib<\/em>, I am also looking forward to delving in more depth into the splits and agreements over identity, including moments of censorship, that contributed to the final dissolution of the collective.<\/p>\n
Dr D-M Withers (2018-21)<\/h2>\n
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My research engages with the cultural heritage of feminist social movements and the politics of the archive.<\/p>\nMy book Feminism, Digital Culture and the Politics of Transmission: Theory, Practice and Cultural Heritage<\/em><\/a>\u00a0won the 2016 Feminist and Women\u2019s Studies Association book prize<\/a>.<\/p>\n
I have curated exhibitions and written articles exploring the theoretical, cultural and historical legacies of the women-centred social movements of the 1970s and 80s. The Feminist Revolution: The Struggle for Women\u2019s Liberation, 1966-1988<\/em><\/a>, a co-written, archival illustrated history of this era, was published in 2018.<\/p>\n
The Business of Women\u2019s Words has given me a fantastic opportunity to do sustained research about the feminist publishing sensation, Virago Press. I am keen to analyse how Virago\u2019s history overlapped with the dramatic economic and industrial changes of the 1980s-1990, a time that saw computerization, financialisation and the industrialisation of culture become pivotal in economic policy and practice.<\/p>\n
Virago\u2019s relationship with mainstream sales outlets such as WH Smith is another compelling area to investigate, as we chart how women\u2019s writing made the surprising transition from social movement margin to mass-cultural centre during the 1980s.<\/p>\n
What study of Virago would be complete without consideration of the Virago Modern Classics series? My hope is to use the Classics to understand how libraries retain the cultural and social value of \u2018forgotten\u2019 works that can be later re-circulated in the marketplace.<\/p>\n
Dr. Eleanor Careless (2020-21)
<\/strong><\/h2>\nMy research focuses on twentieth-century poetry, the history of the prison and the feminist avant-garde.\u00a0<\/p>\n
My PhD thesis, Serve your own sentences: Incarceration in the Poetry of Anna Mendelssohn<\/em>, analyses representations of incarceration in the poetry of Anna Mendelssohn and other twentieth-century avant-garde feminist poets. Combining original archival research with literary criticism, Serve your own sentences<\/em> explores the gendered dimensions of imprisonment.
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<\/p>\nI have convened research networks and written articles that engage with the recent history of feminism, theories and practices of imprisonment, and the civic role of twentieth-century poetry. Recent publications include \u2018Anna Mendelssohn, Jennifer Moxley and the Transnational Carceral Poetics of the 1990s\u2019<\/a> in College Literature <\/em>(2020); \u2018Art made me thin: Work in the Poetry and Prison Writing of Anna Mendelssohn\u2019<\/a> in Poetry and Work <\/em>(Palgrave, 2019); and a prize-winning essay, \u2018Muriel Rukeyser and the Security of the Imagination: Poetry and Propaganda in 1940s America\u2019<\/a>, in Modernist Cultures <\/em>(2019). <\/em>I am co-editor of a special issue on Anna Mendelssohn for the Journal of British and Irish Innovative Poetry. <\/em><\/p>\n
The Business of Women\u2019s Words project gives me the opportunity to build on my doctoral research and explore the archives of the most iconic feminist magazine of the twentieth century, Spare Rib, <\/em>in greater depth. I am eager to analyse patterns of feminist production and consumption as revealed by Spare Rib\u2019s <\/em>vibrant listing pages, and to examine the ongoing tensions between the magazine\u2019s ideological commitments and commercial imperatives.<\/p>\n
The geographical distribution of Spare Rib\u2019s <\/em>readers and networks is something I am especially keen to investigate. To what extent did Spare Rib <\/em>achieve its goal of reaching out to \u2018all women\u2019 and \u2018cutting across material, economic and class barriers\u2019? The BOWW project\u2019s digital map<\/a>, compiled using data from the British Library\u2019s Spare Rib <\/em>archive, provides an invaluable resource for mapping the spread and reach of the feminist marketplace in the 1970s and 1980s.<\/p>\n
Project Friends<\/h2>\n\n\n
Caroline Bassett (Professor Of Digital Humanities, University of Cambridge)
Justin Bengry (Lecturer in History, Goldsmiths)
Jane Cholmeley (Women in Publishing Oral History Project)
Sarah Kember (Director of Goldsmiths Press)<\/p>\n\n\n\nCandida Lacey (Myriad Editions)
Tess Little (University of Oxford)
Katrina Navickas (Reader in History, University of Hertfordshire)
Alison Oram (Professor of Social and Cultural History, Leeds Beckett University)
Joni Seager (Professor of Global Studies, Bentley University)<\/p>\n\n\n\nBritish Library<\/strong><\/p>\n\n\n\n
Sarah Evans (Research Engagement Manager)
Rachel Foss (Head of Contemporary Archives & Manuscripts)
Matthew Lambert (Licensing and Assurance Manager)
Anna Lobbenberg (Lead Producer Digital Learning Programmes)
Rob Perks (Former Lead Curator Oral History)
Richard Price (Head of Contemporary British)
Gethin Rees (Digital Maps Curator)
Mary Stewart (Lead Curator Oral History)
Allan Sudlow (Head of Research Engagement)
Alex Whitfield (Head of Learning Programmes)<\/p>\n","protected":false},"excerpt":{"rendered":"Principal Investigator \u2013 Professor Margaretta Jolly I am Professor in Cultural Studies at the University of Sussex\u2019s School of Media, Film and Music, and I direct the University\u2019s Centre for Life History and Life Writing Research. My work has focused…<\/span><\/p>\n
- The Encyclopedia of Life Writing (Routledge, 2001)<\/a> American Libraries Association Outstanding Reference Book Award winner.<\/li>\n