{"id":951,"date":"2024-03-01T14:02:44","date_gmt":"2024-03-01T14:02:44","guid":{"rendered":"https:\/\/blogs.sussex.ac.uk\/librarycollections\/?p=951"},"modified":"2024-03-18T13:43:11","modified_gmt":"2024-03-18T13:43:11","slug":"rosey-pool-1905-71-exhibition","status":"publish","type":"post","link":"https:\/\/blogs.sussex.ac.uk\/librarycollections\/2024\/03\/01\/rosey-pool-1905-71-exhibition\/","title":{"rendered":"Rosey Pool (1905-71) exhibition"},"content":{"rendered":"\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" width=\"351\" height=\"468\" src=\"https:\/\/i0.wp.com\/blogs.sussex.ac.uk\/librarycollections\/files\/2024\/03\/image.png?resize=351%2C468&#038;ssl=1\" alt=\"Black and white image of Rosey Pool 1905-1971. Rosey is sat at a table with a copy of one of her books and a cup of tea.\" class=\"wp-image-952\" title=\"Central image.\" srcset=\"https:\/\/i0.wp.com\/blogs.sussex.ac.uk\/librarycollections\/files\/2024\/03\/image.png?w=351&amp;ssl=1 351w, https:\/\/i0.wp.com\/blogs.sussex.ac.uk\/librarycollections\/files\/2024\/03\/image.png?resize=225%2C300&amp;ssl=1 225w, https:\/\/i0.wp.com\/blogs.sussex.ac.uk\/librarycollections\/files\/2024\/03\/image.png?resize=100%2C133&amp;ssl=1 100w, https:\/\/i0.wp.com\/blogs.sussex.ac.uk\/librarycollections\/files\/2024\/03\/image.png?resize=150%2C200&amp;ssl=1 150w, https:\/\/i0.wp.com\/blogs.sussex.ac.uk\/librarycollections\/files\/2024\/03\/image.png?resize=200%2C267&amp;ssl=1 200w, https:\/\/i0.wp.com\/blogs.sussex.ac.uk\/librarycollections\/files\/2024\/03\/image.png?resize=300%2C400&amp;ssl=1 300w\" sizes=\"(max-width: 351px) 100vw, 351px\" data-recalc-dims=\"1\" \/><figcaption><strong><em>Rosey Pool (1905-71)<\/em><\/strong><\/figcaption><\/figure><\/div>\n\n\n\n<p><strong>Our exhibition of Rosey Pool\u2019s personal book collection is now open on the ground floor of the library (at the bottom of the main staircase), created by Assistant Library Officer, Elsa van Helfteren.<\/strong>\u00a0<\/p>\n\n\n\n<p><strong>The exhibition runs until April 16<sup>th<\/sup>.<\/strong>\u00a0<\/p>\n\n\n\n<p><strong>Rosey Pool <\/strong>was a Dutch-Jewish poet, teacher and anthropologist.\u00a0\u00a0<\/p>\n\n\n\n<p>Whilst training to become a teacher Pool became fascinated by African-American arts and culture. Pool went on to study cultural anthropology in Berlin where she wrote her final thesis named \u2018The Poetic Art of the North American Negro.\u2019 Whilst living in Berlin, she became involved in the city\u2019s lesbian subculture and her partner Lena Fischer was arrested and never seen again. By 1938, Berlin had become too dangerous and Pool returned to Amsterdam. She found work as an English teacher in a school for Jewish children, one of whom was the then unknown Anne Frank, with whose family Pool became close. After the war Pool translated Anne Frank\u2019s diaries into English for Otto Frank who chose Pool as one of the first people to share his daughter\u2019s diaries with.&nbsp;&nbsp;<\/p>\n\n\n\n<p>Nazi Germany invaded the Netherlands in 1940, and by 1943 Pool and her family were taken to the Westerbork Transit Camp, the last stop before deportation to the concentration camps.&nbsp;<\/p>\n\n\n\n<p>Whilst in Camp Westerbork Pool returned to the African-American poetry she had studied and would recite poems such as Sterling Brown\u2019s \u201cSlim in Atlanta\u201d. This poem about a law in Atlanta Georgia that prohibited African Americans from laughing provided a parallel for Pool who, alongside her inmates, was threatened with severe punishment if they were to show signs of merriment or laughter. Pool would recite the poems and songs of African Americans to other inmates every evening, they provided a prayer-like sense of unity for the inmates, the majority of whom were Jews, but who also included Protestants, Catholics and Communists.&nbsp;&nbsp;<\/p>\n\n\n\n<p>Whilst living in Westerbork, Pool became part of an \u2018anti-Hitler coalition\u2019 set up by a Jewish Communist from Dusseldorf called Werner Stertzenbach. The coalition consisted primarily of Social Democrats and Communists but membership was open to anyone who had &#8216;experienced the persecutions, prisons and concentration camps of the Nazi regime firsthand&#8217;. In other words, anyone within Westerbork was welcome to join.&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p>Of the more than 100,000 people that were deported through Westerbork, only 210 managed to escape, each an extraordinary case. Rosey Pool was one of these, as her anti-fascist track record meant she was deemed useful to the Resistance. On September 7<sup>th<\/sup> 1943, just as plans were being put into place for her escape, Pool\u2019s name was called for transportation to Auschwitz. Just as the S.S were about to seal the door to the carriage and to Pool\u2019s definite death, she bravely stepped out and pretended to be one of the Ordnungsdienst on transport duty. Her fluent Berlin accent and acting skills, with which she confidently excused her lack of armband, resulted in her escape from near death, and she was able to return to Westerbork.&nbsp;&nbsp;<\/p>\n\n\n\n<p>The opportunity for a second attempt at escape arose when the Red Cross announced an inspection of the camp and the image of having a library for the inmates was deemed helpful. Pool was given permission to leave the camp to collect books from the abandoned Jewish Lyceum, and this time was able to successfully escape.&nbsp;&nbsp;<\/p>\n\n\n\n<p>After the war, as a Holocaust survivor and activist fighting against segregation in the Deep South, Pool provided a unique connection between two histories, with her work showing where the experiences of European Jews and African Americans converged. Pool befriended many Harlem Renaissance writers, most notably Langston Hughes, who helped give Pool access to and understanding of Black America. Throughout their twenty-two-year friendship Hughes and Pool shared over 250 letters, postcards, clippings, and notes, within which Hughes would recommend writers, poets, artists and photographers, many of whom were African American. Pool\u2019s collection of books, held here within the University of Sussex Library, includes both books by Hughes, and those he recommended, such as the photography of Marion Palfi who he deemed a \u2018great example of African American life.\u2019&nbsp;&nbsp;<\/p>\n\n\n\n<p>Isa Isenburg, Pool\u2019s will executor and life partner, donated Rosey Pool\u2019s collection to University of Sussex. Pool\u2019s books, held within the Library Legacy Collection, and papers, held in the University\u2019s Special Collections at the Keep are a fascinating insight into her transatlantic life as a Dutch Jewish Holocaust survivor who dedicated her life to the study of Black American culture.&nbsp;&nbsp;<\/p>\n\n\n\n<p>You can listen to <a rel=\"noreferrer noopener\" href=\"https:\/\/uofsussex.padlet.org\/k_l_watson\/rosey-pool-audio-recordings-xtt4q2dikd2zrege\" target=\"_blank\">audio recordings<\/a> taken from the Rosey Pool Special Collection and find out more information about how to access both the collection at the library and the Keep. You can find <a rel=\"noreferrer noopener\" href=\"https:\/\/sussex.primo.exlibrisgroup.com\/discovery\/fulldisplay?docid=alma991135464502461&amp;context=L&amp;vid=44SUS_INST:44SUS_VU1&amp;lang=en&amp;search_scope=MyInst_and_CI_no_BLDS&amp;adaptor=Local%20Search%20Engine&amp;tab=MyInst_and_CI_no_BLDS&amp;query=any,contains,Rosey%20Pool&amp;offset=0\" target=\"_blank\">Lonneke Geerlings\u2019 biography<\/a> of Pool\u2019s life.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Our exhibition of Rosey Pool\u2019s personal book collection is now open on the ground floor of the library (at the bottom of the main staircase), created by Assistant Library Officer, Elsa van Helfteren.<\/p>\n<div class=\"read-more\"><a href=\"https:\/\/blogs.sussex.ac.uk\/librarycollections\/2024\/03\/01\/rosey-pool-1905-71-exhibition\/\">Read more &#8250;<\/a><\/div>\n<p><!-- end of .read-more --><\/p>\n","protected":false},"author":399,"featured_media":952,"comment_status":"open","ping_status":"open","sticky":true,"template":"","format":"standard","meta":{"spay_email":""},"categories":[151045],"tags":[189475,188946,202443],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/blogs.sussex.ac.uk\/librarycollections\/files\/2024\/03\/image.png?fit=351%2C468&ssl=1","jetpack-related-posts":[{"id":973,"url":"https:\/\/blogs.sussex.ac.uk\/librarycollections\/2024\/04\/12\/speed-conservation\/","url_meta":{"origin":951,"position":0},"title":"Speed Conservation","date":"12 April 2024","format":false,"excerpt":"Rosey Pool and the case of the damaged Equiano; or a book made safe and a treasure revealed.","rel":"","context":"In &quot;Collections&quot;","img":{"alt_text":"A closed book resting on it's side. The cover is brown leather and the title 'The life of Olaudah Equiano' is visible. The book is damaged.","src":"https:\/\/i2.wp.com\/blogs.sussex.ac.uk\/librarycollections\/files\/2024\/04\/240412-SC-ClosedBook.png?fit=601%2C264&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":629,"url":"https:\/\/blogs.sussex.ac.uk\/librarycollections\/2021\/10\/15\/welcome-to-legacy\/","url_meta":{"origin":951,"position":1},"title":"Welcome to Legacy...","date":"15 October 2021","format":false,"excerpt":"The University of Sussex Library Legacy collection A diverse collection of over 20,000 documents, pamphlets, books and reports which have been collected by the Library since it opened in 1964 From local to national, the well known to little known organisations the collection covers a huge range of subjects. To\u2026","rel":"","context":"In &quot;Legacy collection&quot;","img":{"alt_text":"Front cover of pamphlet Women where are your jobs going","src":"https:\/\/i2.wp.com\/blogs.sussex.ac.uk\/librarycollections\/files\/2021\/10\/Women-Where-are-your-Jobs-Going.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":793,"url":"https:\/\/blogs.sussex.ac.uk\/librarycollections\/2023\/11\/06\/unboxing-and-mapping-black-history-in-sussex-library-legacy-collections\/","url_meta":{"origin":951,"position":2},"title":"Unboxing and Mapping Black History in Sussex Library Legacy Collections","date":"6 November 2023","format":false,"excerpt":"Reposted from Decolonial Maps blog\u00a0by\u00a0Alice Corble. This summer the Library was blessed to host its first\u00a0Junior Research Associate (JRA): Myisha Box (History and International Relations BA student, now in her final year). The project was supervised by Gavin Mensah Coker and Anne-Marie Angelo, with a support team in the library\u2026","rel":"","context":"In &quot;Black History Month&quot;","img":{"alt_text":"JRA Myisha Box with her poster: Mapping Sussex University Library\u2019s Black History Archives","src":"https:\/\/i1.wp.com\/blogs.sussex.ac.uk\/librarycollections\/files\/2023\/11\/231106-JRAblog-MyishaBox-1.jpg?fit=1024%2C1024&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1133,"url":"https:\/\/blogs.sussex.ac.uk\/librarycollections\/2024\/12\/05\/scholars-of-simplicity\/","url_meta":{"origin":951,"position":3},"title":"Scholars of Simplicity","date":"5 December 2024","format":false,"excerpt":"Land, work, sheep and song: Discover their connections in a free exhibition about the Copper family at the University of Sussex Library.","rel":"","context":"In &quot;The Keep&quot;","img":{"alt_text":"Three people looking at the Scholars of Simplicity display","src":"https:\/\/i1.wp.com\/blogs.sussex.ac.uk\/librarycollections\/files\/2024\/12\/image.png?fit=940%2C627&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1015,"url":"https:\/\/blogs.sussex.ac.uk\/librarycollections\/2024\/06\/05\/exploring-different-approaches-to-using-tricontinental-and-mujeres-in-your-research-from-a-library-perspective\/","url_meta":{"origin":951,"position":4},"title":"Exploring different approaches to using Tricontinental and Mujeres in your research from a library perspective","date":"5 June 2024","format":false,"excerpt":"Reposted from the BLDS Legacy Collection Blog By Danny Millum A little belatedly we wanted to write up the details of the \u2018Exploring different approaches to using\u00a0Tricontinental\u00a0and\u00a0Mujeres\u00a0in your research from a library perspective\u2019 workshop, which took place on Monday 22 April in the Global Studies Resource Centre. It was organised\u2026","rel":"","context":"In &quot;Uncategorised&quot;","img":{"alt_text":"A slide from a presentation at the workshop","src":"https:\/\/i2.wp.com\/blogs.sussex.ac.uk\/librarycollections\/files\/2024\/05\/20240422_111846-scaled.jpg?fit=1200%2C900&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":826,"url":"https:\/\/blogs.sussex.ac.uk\/librarycollections\/2023\/12\/20\/archiving-and-administering-the-library-and-afras-at-sussex-guest-blog-post\/","url_meta":{"origin":951,"position":5},"title":"Archiving and administering the Library and AFRAS at Sussex: guest blog post","date":"20 December 2023","format":false,"excerpt":"Reposted from the Decolonial Maps of Library Learning blog By Alice Corble and Rhiann Tester This overdue blog post features a guest contributor, Rhiann Tester, Assistant Library Administrator at Sussex. I\u2019ll briefly introduce the context of our collaboration before handing over to Rhiann. Future blog posts will build on Rhiann\u2019s\u2026","rel":"","context":"In &quot;The Library&quot;","img":{"alt_text":"Two lever files labeled 'Library Committee Papers' and 'AFRAS School Meetings 7th Autumn 65 - 35th Summer 71'","src":"https:\/\/i0.wp.com\/blogs.sussex.ac.uk\/librarycollections\/files\/2023\/12\/Library-AFRAS-folders-1024x768-1.jpg?fit=1024%2C768&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/blogs.sussex.ac.uk\/librarycollections\/wp-json\/wp\/v2\/posts\/951"}],"collection":[{"href":"https:\/\/blogs.sussex.ac.uk\/librarycollections\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.sussex.ac.uk\/librarycollections\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.sussex.ac.uk\/librarycollections\/wp-json\/wp\/v2\/users\/399"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.sussex.ac.uk\/librarycollections\/wp-json\/wp\/v2\/comments?post=951"}],"version-history":[{"count":1,"href":"https:\/\/blogs.sussex.ac.uk\/librarycollections\/wp-json\/wp\/v2\/posts\/951\/revisions"}],"predecessor-version":[{"id":953,"href":"https:\/\/blogs.sussex.ac.uk\/librarycollections\/wp-json\/wp\/v2\/posts\/951\/revisions\/953"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.sussex.ac.uk\/librarycollections\/wp-json\/wp\/v2\/media\/952"}],"wp:attachment":[{"href":"https:\/\/blogs.sussex.ac.uk\/librarycollections\/wp-json\/wp\/v2\/media?parent=951"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.sussex.ac.uk\/librarycollections\/wp-json\/wp\/v2\/categories?post=951"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.sussex.ac.uk\/librarycollections\/wp-json\/wp\/v2\/tags?post=951"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}