{"id":915,"date":"2020-03-19T09:42:53","date_gmt":"2020-03-19T09:42:53","guid":{"rendered":"http:\/\/blogs.sussex.ac.uk\/psychology\/?p=915"},"modified":"2020-07-15T11:07:22","modified_gmt":"2020-07-15T11:07:22","slug":"can-culture-beat-the-coronavirus","status":"publish","type":"post","link":"https:\/\/blogs.sussex.ac.uk\/psychology\/2020\/03\/19\/can-culture-beat-the-coronavirus\/","title":{"rendered":"Can Culture Beat the Coronavirus?"},"content":{"rendered":"\n<p>By Rotem Perach<\/p>\n\n\n\n<p>How can we beat the coronavirus? It seems that culture is already developing its own prescriptions, specifically, against the psychological effects of the coronavirus outbreak. In recent fashion week catwalks in&nbsp;<a rel=\"noreferrer noopener\" href=\"https:\/\/nypost.com\/2020\/02\/14\/face-masks-are-must-have-accessory-of-london-fashion-week-amid-coronavirus-panic\/\" target=\"_blank\">New York<\/a>&nbsp;and&nbsp;<a rel=\"noreferrer noopener\" href=\"https:\/\/www.hollywoodreporter.com\/news\/fashion-brand-debuts-face-masks-at-paris-fashion-week-coronavirus-1281590\" target=\"_blank\">Paris<\/a>, designers re-imagined face masks as a fashionable, rather than solely contamination-protective, accessory. While some may question the point of wearing stylistic face masks, the increasing popularity of this&nbsp;<a rel=\"noreferrer noopener\" href=\"https:\/\/us.hola.com\/fashion\/gallery\/20200229fl39p8cfxf\/fancy-designer-surgical-face-masks-trend-coronavirus\/1\" target=\"_blank\">cultural trend<\/a>&nbsp;suggests that fundamental psychological motives are at play.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-attachment-id=\"918\" data-permalink=\"https:\/\/blogs.sussex.ac.uk\/psychology\/2020\/03\/19\/can-culture-beat-the-coronavirus\/woman-in-gray-coat-standing-on-stage-2920143\/\" data-orig-file=\"https:\/\/i1.wp.com\/blogs.sussex.ac.uk\/psychology\/files\/2020\/03\/woman-in-gray-coat-standing-on-stage-2920143.jpg?fit=1280%2C1920&amp;ssl=1\" data-orig-size=\"1280,1920\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"woman-in-gray-coat-standing-on-stage-2920143\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i1.wp.com\/blogs.sussex.ac.uk\/psychology\/files\/2020\/03\/woman-in-gray-coat-standing-on-stage-2920143.jpg?fit=200%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i1.wp.com\/blogs.sussex.ac.uk\/psychology\/files\/2020\/03\/woman-in-gray-coat-standing-on-stage-2920143.jpg?fit=550%2C825&amp;ssl=1\" loading=\"lazy\" width=\"1280\" height=\"1920\" src=\"https:\/\/i1.wp.com\/blogs.sussex.ac.uk\/psychology\/files\/2020\/03\/woman-in-gray-coat-standing-on-stage-2920143.jpg?fit=550%2C825&amp;ssl=1\" alt=\"\" class=\"wp-image-918\" srcset=\"https:\/\/i1.wp.com\/blogs.sussex.ac.uk\/psychology\/files\/2020\/03\/woman-in-gray-coat-standing-on-stage-2920143.jpg?w=1280&amp;ssl=1 1280w, https:\/\/i1.wp.com\/blogs.sussex.ac.uk\/psychology\/files\/2020\/03\/woman-in-gray-coat-standing-on-stage-2920143.jpg?resize=200%2C300&amp;ssl=1 200w, https:\/\/i1.wp.com\/blogs.sussex.ac.uk\/psychology\/files\/2020\/03\/woman-in-gray-coat-standing-on-stage-2920143.jpg?resize=683%2C1024&amp;ssl=1 683w, https:\/\/i1.wp.com\/blogs.sussex.ac.uk\/psychology\/files\/2020\/03\/woman-in-gray-coat-standing-on-stage-2920143.jpg?resize=768%2C1152&amp;ssl=1 768w, https:\/\/i1.wp.com\/blogs.sussex.ac.uk\/psychology\/files\/2020\/03\/woman-in-gray-coat-standing-on-stage-2920143.jpg?resize=1024%2C1536&amp;ssl=1 1024w, https:\/\/i1.wp.com\/blogs.sussex.ac.uk\/psychology\/files\/2020\/03\/woman-in-gray-coat-standing-on-stage-2920143.jpg?resize=100%2C150&amp;ssl=1 100w, https:\/\/i1.wp.com\/blogs.sussex.ac.uk\/psychology\/files\/2020\/03\/woman-in-gray-coat-standing-on-stage-2920143.jpg?resize=150%2C225&amp;ssl=1 150w, https:\/\/i1.wp.com\/blogs.sussex.ac.uk\/psychology\/files\/2020\/03\/woman-in-gray-coat-standing-on-stage-2920143.jpg?resize=300%2C450&amp;ssl=1 300w, https:\/\/i1.wp.com\/blogs.sussex.ac.uk\/psychology\/files\/2020\/03\/woman-in-gray-coat-standing-on-stage-2920143.jpg?resize=450%2C675&amp;ssl=1 450w, https:\/\/i1.wp.com\/blogs.sussex.ac.uk\/psychology\/files\/2020\/03\/woman-in-gray-coat-standing-on-stage-2920143.jpg?resize=600%2C900&amp;ssl=1 600w, https:\/\/i1.wp.com\/blogs.sussex.ac.uk\/psychology\/files\/2020\/03\/woman-in-gray-coat-standing-on-stage-2920143.jpg?resize=900%2C1350&amp;ssl=1 900w, https:\/\/i1.wp.com\/blogs.sussex.ac.uk\/psychology\/files\/2020\/03\/woman-in-gray-coat-standing-on-stage-2920143.jpg?w=1100 1100w\" sizes=\"(max-width: 550px) 100vw, 550px\" \/><\/figure>\n\n\n\n<p>Fashion has the capacity to transform the meaning of cultural phenomena.\nFor example, in the 1990s, fashion created&nbsp;<a href=\"https:\/\/www.latimes.com\/archives\/la-xpm-1996-08-08-ls-32243-story.html\" target=\"_blank\" rel=\"noreferrer noopener\">heroin chic,<\/a>&nbsp;which\nturned the cultural meanings of deadly drug use on its head. This fashion trend\nconceptualized drug use as beautiful rather than a fatal addiction. It seems\nthat designer face masks transform the cultural meanings of face masks in a\nsimilar way.<\/p>\n\n\n\n<p>Face masks, such as those used in hospitals, suggest an attempt to\nprevent disease and possibly death. Since the coronavirus outbreak, face masks\nare likely associated with the&nbsp;<a href=\"https:\/\/www.nytimes.com\/2020\/02\/09\/world\/asia\/coronavirus-china.html\" target=\"_blank\" rel=\"noreferrer noopener\">deadly outcomes<\/a>&nbsp;of\ncoronavirus exposure. However, by re-imagining face masks as a fashion item,\nfashion has linked the masks with key cultural values such as beauty,\naesthetics, and consumerism. People recognise these newly-ascribed cultural\nmeanings that are attached to designer face masks, as seen for example in the\nincorporation of designer face masks into&nbsp;<a href=\"https:\/\/www.whimn.com.au\/look\/fashion\/so-are-disposable-face-masks-really-in-fashion\/news-story\/f9e70185158bf6d1cc74f0b27c0e96c6\" target=\"_blank\" rel=\"noreferrer noopener\">streetwear<\/a>&nbsp;and\ntheir&nbsp;<a href=\"https:\/\/www.theguardian.com\/fashion\/2020\/jan\/13\/fashionable-face-masks-trying-to-make-something-horrific-seem-appealing\" target=\"_blank\" rel=\"noreferrer noopener\">increased market value<\/a>.<\/p>\n\n\n\n<p><strong>Which psychological motives could designer face masks serve?<\/strong>&nbsp;One possibility is that designer face masks offer people a way to\ndefy death, not in a literal sense, but a symbolic one. Objects that are\nculturally-valued, for example the national flag, can influence the way&nbsp;<a href=\"https:\/\/www.sciencedirect.com\/science\/article\/pii\/S0065260115000052\" target=\"_blank\" rel=\"noreferrer noopener\">we manage the awareness that, just\nlike everyone else, we too will die<\/a>. This is because culture is\nenduring and will outlive the existence of any one of us. In other words,\nculturally-valued objects can function to affirm people\u2019s their sense of\nbelonging to a long-lasting culture, when they are made aware of their finite\nnature.<\/p>\n\n\n\n<p>Designer face masks, then, can be seen as one way that people manage the\nexistential threat that is the coronavirus. Because fashion has now linked face\nmasks with key cultural values, designer face masks offer people one avenue for\naffirming their existence beyond the geographic spread of the coronavirus.\nFurthermore, designers\u2019 face masks are often part and parcel of futuristic,\npost-human imagery, which holds the promise of belonging to a post-coronavirus\nfuture. Thus, designer face masks may represent the possibility of\n(symbolically) transcending space and time in the face of potential coronavirus\nexposure and contagion.&nbsp;<strong>Simply put, designer face masks possibly offer\npeople immortality (in a symbolic sense) in the current coronavirus outbreak.<\/strong><\/p>\n\n\n\n<p>Considering these potential psychological effects, designer face masks may not be just another luxury item. Wheareas they alone may <a href=\"https:\/\/www.who.int\/emergencies\/diseases\/novel-coronavirus-2019\/question-and-answers-hub\/q-a-detail\/q-a-on-covid-19-and-masks\">not be sufficient to prevent<\/a> coronavirus contagion, designer face masks could potentially buffer anxiety in the face of the coronavirus.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><a href=\"http:\/\/www.sussex.ac.uk\/profiles\/487850\">D<\/a><em><a href=\"http:\/\/www.sussex.ac.uk\/profiles\/487850\">r Rotem Perach<\/a> is social and health psychology researcher. His areas of expertise include older persons, health behaviours, sleep, and wellbeing.&nbsp;He is currently a research fellow, working as part of the <a href=\"http:\/\/www.determind.org.uk\/\">DETERMIND<\/a> team at the University of Sussex.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>By Rotem Perach How can we beat the coronavirus? It seems that culture is already developing its own prescriptions, specifically, against the psychological effects of the coronavirus outbreak. In recent fashion week catwalks in&nbsp;New York&nbsp;and&nbsp;Paris, designers re-imagined face masks as<span class=\"ellipsis\">&hellip;<\/span><\/p>\n<div class=\"read-more\"><a href=\"https:\/\/blogs.sussex.ac.uk\/psychology\/2020\/03\/19\/can-culture-beat-the-coronavirus\/\">Read more &#8250;<\/a><\/div>\n<p><!-- end of .read-more --><\/p>\n","protected":false},"author":156,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[177225],"tags":[177558,147993,98552],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/pafdEV-eL","jetpack-related-posts":[{"id":929,"url":"https:\/\/blogs.sussex.ac.uk\/psychology\/2020\/04\/27\/psychology-go-green-week-2020\/","url_meta":{"origin":915,"position":0},"title":"Psychology Go Green Week 2020","date":"April 27, 2020","format":false,"excerpt":"Here, in the School of Psychology, we're working to become more sustainable and reduce our carbon footprint. 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Your natural response would probably be to recoil as you realise your privacy is being invaded. So why is it that when we\u2019re online and\u2026","rel":"","context":"In &quot;PhD research&quot;","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/blogs.sussex.ac.uk\/psychology\/files\/2020\/12\/Privacy-Mismatch.png?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":806,"url":"https:\/\/blogs.sussex.ac.uk\/psychology\/2019\/07\/03\/there-are-no-rioters-in-hong-kong\/","url_meta":{"origin":915,"position":4},"title":"There are no rioters in Hong Kong","date":"July 3, 2019","format":false,"excerpt":"By Patricio Saavedra Morales In June this year, thousands of Hongkongers hit the streets to protest against a controversial extradition bill promoted by the Chief Executive of the former British colony, Carrie Lam. 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