{"id":68,"date":"2016-10-18T19:10:14","date_gmt":"2016-10-18T18:10:14","guid":{"rendered":"http:\/\/blogs.sussex.ac.uk\/satrav\/?page_id=68"},"modified":"2016-10-27T09:50:24","modified_gmt":"2016-10-27T08:50:24","slug":"publications-grouped-by-theme","status":"publish","type":"page","link":"https:\/\/blogs.sussex.ac.uk\/satrav\/publications-grouped-by-theme\/","title":{"rendered":"Publications grouped by theme"},"content":{"rendered":"<p><strong>Erotic art<\/strong><\/p>\n<ul>\n<li>Maes, Hans (2014) <a href=\"http:\/\/plato.stanford.edu\/archives\/sum2016\/entries\/erotic-art\">\u201cErotic Art,\u201d<\/a> <em>The Stanford Encyclopedia of Philosophy<\/em> (Summer 2016 Edition), Edward N. Zalta\u00a0(ed.).<\/li>\n<li>Maes, Hans (2011) Preface, <em>Transgression: Sexuality, Gender, and Censorship<\/em>, Beers.Lambert.<\/li>\n<\/ul>\n<p><strong>Feminism and sex<\/strong><\/p>\n<ul>\n<li>Jenkins Katharine (2017) \u2018Who\u2019s Afraid of Andrea Dworkin? Feminism and the Analytic Philosophy of Sex\u2019, in\u00a0<i>The Bloomsbury Companion to Analytic Philosophy,\u00a0<\/i>ed. Pieranna Garavaso<\/li>\n<\/ul>\n<p><strong>Objectification<\/strong><\/p>\n<ul>\n<li><span class=\"person_name\">Stock, Kathleen<\/span> (2015)<a href=\"http:\/\/analysis.oxfordjournals.org\/content\/75\/2\/191.abstract\"> <em>Sexual objectification.<\/em><\/a> <em>Analysis<\/em>, 75 (2). pp. 191-195. ISSN 0003-2638<\/li>\n<\/ul>\n<p><strong>Pornography<\/strong><strong><br \/>\n<\/strong><\/p>\n<ul>\n<li>Jenkins, Katharine (2017) \u2018Pornography and Social Ontology\u2019, in\u00a0<i>Beyond Speech<\/i>, ed. Mari Mikkola. Oxford University Press.<\/li>\n<li>Maes, Hans (2014) \u201cPornography,\u201d M. Kelly, <em>The Encyclopedia of Aesthetics<\/em>, Oxford University Press.<\/li>\n<li>Maes, Hans and Deprez, Eleen (2013) \u201cKunst of Porno?\u201d, <em>Kunsttijdschrift Vlaanderen<\/em>, 62, pp. 175<\/li>\n<li>Maes, Hans (2013) <em>Pornographic Art and the Aesthetics of Pornography<\/em>, Basingstoke, Palgrave Macmillan.-77.<\/li>\n<li>Maes, Hans and Levinson, Jerrold (2012) <em>Art and Pornography<\/em>, Oxford, Oxford University Press.<\/li>\n<li>Maes, Hans (2012) \u201cWho Says Pornography Can\u2019t Be Art,\u201d H. Maes &amp; J. Levinson, <em>Art and Pornography<\/em>, Oxford: Oxford University Press, pp. 17-47.<\/li>\n<li>Maes, Hans (2011) <a href=\"http:\/\/labalsadelamedusa.wordpress.com\/2011\/07\/15\/numero-4-2011\/\">&#8220;Qui\u00e9n dice que la pornografia no puede ser arte?\u201d\u00a0<\/a><em>La Balsa de la Medusa<\/em>, 2:4, pp. 5-24<\/li>\n<li>Maes, Hans (2011)\u201cArt or Porn: Clear Division or False Dilemma?\u201d <em>Philosophy and Literature<\/em>, 35:1, pp. 51-64.<\/li>\n<li>Maes, Hans (2010) \u201cKunst of Pornografie?\u201d <em>Karakter<\/em>, 32, pp. 15-16.<\/li>\n<li>Maes, Hans (2009) \u201cArt and Pornography. Essay Review of Jerrold Levinson\u2019s Contemplating Art,\u201d <em>Journal of Aesthetic Education<\/em>, 43:1, pp. 107-116.<\/li>\n<li>Stock, Kathleen (2012) <a href=\"http:\/\/www.oxfordscholarship.com\/view\/10.1093\/acprof:oso\/9780199609581.001.0001\/acprof-9780199609581-chapter-7\">Pornography and imagining about oneself<\/a>. In: <span class=\"person_name\">Maes, Hans<\/span> and <span class=\"person_name\">Levinson, Jerrold<\/span> (eds.) <em>Art and Pornography<\/em>. Oxford University Press, Oxford, pp. 116-136. ISBN 9780199609581<\/li>\n<\/ul>\n<p><strong>Rape Myths<\/strong><\/p>\n<div id=\"mCSB_1_container\" class=\"mCSB_container\" dir=\"ltr\">\n<ul>\n<li title=\"Click on the box to select its content\">Jenkins, Katharine (2016) <a href=\"http:\/\/onlinelibrary.wiley.com\/doi\/10.1111\/japp.12174\/abstract\">Rape Myths and Domestic Abuse Myths as Hermeneutical Injustices<\/a>. <em>Journal of Applied Philosophy<\/em> 10.1111\/japp.12174<\/li>\n<li title=\"Click on the box to select its content\">Robson, James (2015) \u2018Fantastic Sex: Fantasies of Sexual Assault in Aristophanes\u2019, in M. Masterson, N. S. Rabinowitz and J. Robson (eds), <em>Sex in Antiquity: Reconsidering Gender and Sexuality in the Ancient World<\/em>, Routledge, 315-31<\/li>\n<\/ul>\n<p><strong>Representations of sex and sexuality<\/strong><\/p>\n<\/div>\n<ul>\n<li>M. Masterson, N. S. Rabinowitz and J. Robson (eds). (2015) <em>Sex in Antiquity: Reconsidering Gender and Sexuality in the Ancient World<\/em>, Routledge<\/li>\n<li>Robson, James (2016). &#8216;Aristophanes, Gender and Sexuality&#8217;, in P. Walsh (ed.), <em>Brill&#8217;s Companion to the Reception of Aristophanes,<\/em> Brill, 44-66<\/li>\n<li>Robson, James (2015) \u2018Fantastic Sex: Fantasies of Sexual Assault in Aristophanes\u2019, in M. Masterson, N. S. Rabinowitz and J. Robson (eds), <em>Sex in Antiquity: Reconsidering Gender and Sexuality in the Ancient World<\/em>, Routledge, 315-31<\/li>\n<li>Robson, James\u00a0(2013) Sex and Sexuality in Classical Athens, <em>Debates and Documents in Ancient History<\/em>, Edinburgh University Press<\/li>\n<li>Wright, Ellen (2016). Having Her Cheesecake and Eating It: Performance, Professionalism, and the Politics of the Gaze in the Pinup Self-Portraiture of Bunny Yeager. <em>Feminist Media Histories<\/em>. 2 (4), p116-142.<\/li>\n<li>Wright, Ellen (2016). \u2018\u2018A Travesty on Sex\u201d: Hawks, Gender and Performance in Gentlemen Prefer Blondes. In: Brookes, I <em>Howard Hawks: New Perspectives<\/em>. London: BFI. 125-142.<\/li>\n<\/ul>\n<p><strong>Sexiness and sex appeal<\/strong><\/p>\n<ul>\n<li>\u00a0Maes, Hans (2017) \u201cFalling in Lust: Sexiness, Feminism, and Pornography,\u201d M. Mikkola, <em>Beyond Speech<\/em>, Oxford: Oxford University Press, 2017.<\/li>\n<li>Robson, James (2013) \u2018Beauty and Sex Appeal in Aristophanes\u2019, <em>EuGeStA (Journal on Gender Studies in Antiquity)<\/em> 3: 43-66<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Erotic art Maes, Hans (2014) \u201cErotic Art,\u201d The Stanford Encyclopedia of Philosophy (Summer 2016 Edition), Edward N. Zalta\u00a0(ed.). Maes, Hans (2011) Preface, Transgression: Sexuality, Gender, and Censorship, Beers.Lambert. Feminism and sex Jenkins Katharine (2017) \u2018Who\u2019s Afraid of Andrea Dworkin? Feminism<span class=\"ellipsis\">&hellip;<\/span><\/p>\n<div class=\"read-more\"><a href=\"https:\/\/blogs.sussex.ac.uk\/satrav\/publications-grouped-by-theme\/\">Read more &#8250;<\/a><\/div>\n<p><!-- end of .read-more --><\/p>\n","protected":false},"author":192,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/blogs.sussex.ac.uk\/satrav\/wp-json\/wp\/v2\/pages\/68"}],"collection":[{"href":"https:\/\/blogs.sussex.ac.uk\/satrav\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogs.sussex.ac.uk\/satrav\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.sussex.ac.uk\/satrav\/wp-json\/wp\/v2\/users\/192"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.sussex.ac.uk\/satrav\/wp-json\/wp\/v2\/comments?post=68"}],"version-history":[{"count":11,"href":"https:\/\/blogs.sussex.ac.uk\/satrav\/wp-json\/wp\/v2\/pages\/68\/revisions"}],"predecessor-version":[{"id":155,"href":"https:\/\/blogs.sussex.ac.uk\/satrav\/wp-json\/wp\/v2\/pages\/68\/revisions\/155"}],"wp:attachment":[{"href":"https:\/\/blogs.sussex.ac.uk\/satrav\/wp-json\/wp\/v2\/media?parent=68"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}