The Business of Women’s Words: Purpose and Profit in Feminist Publishing (BOWW) explores the dramatic story of the feminist publishing revolution that unfolded during the UK Women’s Liberation Movement [WLM] of the 1970s and 80s.
This three-year research project (2018-2021), generously funded by the Leverhulme Trust, looks at the contrasting histories and fortunes of Virago Press and Spare Rib.
It examines how WLM activists called upon cultural and creative business activities to help promote their aims despite feminists’ general antipathy and sometimes hostility to capitalist methods and ideologies.
The research will unearth activists’ efforts to infuse purpose with profit and to reconcile business and financial imperatives with political, artistic and egalitarian commitments, bringing life to archival treasures at The British Library, including:
- The Virago archive, containing materials relating to the business of publishing and major women’s writers from Antonia White to Maya Angelou.
- The recently digitised archive of Spare Rib, which offers unprecedented research potential, and valuable essays locating the magazine in its wider political and historical context.
- The BL’s extraordinarily rich oral history archive of writers, publishers, editors and book traders as well as Women’s Liberation Movement activists.
Looking beyond the particular stories of Virago and Spare Rib, the research will bring fresh perspectives to the history of feminism, which has previously focused on identities and campaigns, by considering the ways that feminists’ ethical and socialist economic strategies related to creative and entrepreneurial successes.
These two iconic examples of feminist publishing highlight varying approaches to feminist business, which had dramatically contrasting outcomes: Virago has survived, but now operates under the umbrella of Little, Brown & Co; Spare Rib ceased publication in 1993, but its reputation as the longest-running, best-loved feminist magazine is gaining new life online.
The Business of Women’s Words will also explore the business investments and state support behind feminist cultural production and the hidden role of personal and private income, transnational networking, collective ‘crowd sourcing’, unpaid time, labour and care.
The blog will also announce details of public engagement events we are planning, so be sure to visit it while you are here.