By Suzanne Rose – Mass Observation Education and outreach officer
Richard Ratcliffe, currently on day 17 of a hunger strike as part of his campaign to free his wife Nazanin Zaghari-Ratcliffe writes in The Guardian on 10th November 2021,
“Amid all this angry politics, I have been struck by the care and kindness of strangers – packages sent via Amazon, the visits from old friends, former teachers from school or university, my old boss. It is not food, but it is sustenance. Our story is dark in many ways, but that reminder of kindness is absolutely central to survival.”
It is perhaps fitting that he should write of the vital importance of kindness at this time. On Saturday 13th November 2021 it is World Kindness Day. To mark this occasion, KindFest will be celebrating all manner of kindness and inviting people to join the Kindness revolution.
Mass Observation is only too keen to support to this online festival of kindness and looks forward to celebrating all things kind. MO will be encouraging people to share examples of everyday kindness #MOKindness
The Mass Observation Archive has been recording everyday life and the thoughts, feelings, beliefs and opinions of ordinary people since 1937. Through diaries and responses to directives we can come to understand how kindness manifests through time and at key points in our history. A dip into the collection reveals examples of kindness from war time tales of childhood evacuation and the Blitz, to everyday kindness shown to the local milkman.
Of course these are the stories we have been told of the war and there are many differing accounts within the archive, which might suggest not everyone was so keen to show kindness at this time of crisis, but for those that did, their example is both heartening and humbling.
Mass Observation’s ‘What Is Happiness?’ survey from 1938, also reveals much about how closely aligned this is to kindness with many noting that being kind to others is a source of happiness for ourselves.
Asked in 1989, writers for the Mass Observation Project responded to a directive on Rules of Conduct and how these are observed in daily life. Responses spoke of manners and behaviour, but also of kindness and the simple act of smiling at a stranger.
Kindness can be found throughout the collection as it permeates responses to directives as diverse as the NHS, Social Wellbeing, Friends and Neighbours, Close Relationships, Education, Growing Older, Present Giving and Receiving, The Family, Childhood and Dear 16 year old me, which encouraged people to reflect and show a little kindness and compassion to their younger selves.
There are, however, many places and spaces where kindness may be harder to find and to this end Mass Observation’s outreach and engagement programme has sought to capture the voices of those who so often go unheard, such as those in prison, or who are street homeless. Responses shine a light on areas where society could do more to show and offer kindness.
Mass Observation was well placed to record the Covid-19 pandemic and has collected over 10,000 narrative accounts in the form of diaries, journals and directive responses detailing this extraordinary time in our lives. Many echo the experiences of the Second World War. Despite the empty streets of Lockdown and the lack of human contact, kindness still seeps through many of the accounts of this time. From support for the NHS and care workers, to friends, family neighbours and communities coming together to show kindness, we are offered a glimpse of what it meant to people.
Mass Observation continues to explore and record topics, which are vital to our understanding of ourselves and everyday life in Britain and is thrilled to be working with the School of Psychology at The University of Sussex on the new directive on Kindness, which will be launched at Kindfest 2021.
“A great reminder that kindness is like a golden thread running through human beings regardless of time or place.” Professor Robin Banerjee, Head of School of Psychology at University of Sussex
The University of Sussex Library Legacy collection
A diverse collection of over 20,000 documents, pamphlets, books and reports which have been collected by the Library since it opened in 1964 From local to national, the well known to little known organisations the collection covers a huge range of subjects.
To aid discovery the collection is split into 8 themes:
Gender Studies and Feminism
Popular and Counter Cultures
Post WW2 World Order
Political Movements and Parties
There are hundreds of LGBTQAI+ journals and books from the personal libraries of Rosey Pool and Harvey Matusow (see our previous posts to learn more about the unique character that is Harvey Matusow)
A rich resource for research, available to all Library users.
Work to catalogue all Legacy items continues in earnest, all catalogued items can be found on Library search and requested to be viewed in our Legacy reading room.
If you would like more information about the collection email firstname.lastname@example.org
A brief look at the Bangladesh Liberation War through the holdings of the BLDS Legacy Collection
One of the main aims of the British Library for Development Studies Legacy Collection (BLDS) project is outreach and promotion. As part of this we are assisting with some teaching sessions at Sussex in order to demonstrate both the relevance of specific holdings and to educate and hopefully enthuse students as to the value of using primary source materials in their research.
One such class is on the International System Today course, where we will be dropping into the session on South Asia to show some materials and explain a little bit about the collection. We knew already that this area was one of BLDS’s strengths, with nearly 300 shelves of material from India, around 100 shelves from Pakistan and nearly 400 boxes from Bangladesh.
With the Indian and Bangladeshi material already catalogued (and now also available via Primo Collections) we were able to browse for material under the theme of ‘Conflict’ as well as search via the relevant Subject Headings (India-Pakistan Conflict, 1971) to find a whole host of relevant material, and then narrow this down to items containing illustrations, which we might reasonably expect to be more aesthetically appealing examples to present to students.
This was thus an opportunity to see how the metadata work we’ve done to make the BLDS Legacy Collection more accessible functions with a specific test case – and it was with relief that we realised that we hadn’t been totally wasting our time for the last two years! There was a huge amount of relevant material, and we were therefore able to pick out a few different examples for the class.
We wanted to show how material from different types of organisation can illustrate their varying agendas, and also contemporary ephemera reveals the narratives and conflicts of the time, rather than those imposed by hindsight.
So, for instance, this issue of Pakistan News, dated 15 July 1971 and produced by the Pakistani Embassy in London. The headline concerns the British response to what Pakistan considered to be Indian belligerence, with the main article reporting a formal protest lodged by the Islamabad government. Interesting too is the language used of ‘secessionists’, ‘Bangla desh’ with very much inverted commas – attempting to establish a clear narrative of illegitimate revolt and foreign interference.
We can contrast this with various publications produced by the nascent Bangladesh independence movement/government, which instead seek to turn the attention of world opinion to the atrocities committed by the Pakistani army. The Truth About Bangla Deshwhich is a compilation of press reports from foreign journalists on the March 1971 crackdown, produced by the Bangladesh Public Relations Department, and The Road to Freedom which is full of evocative photos depicting the Bangladeshis as plucky insurgents.
The final items in this quick survey are from the sub-collection of Indian political parties pamphlets, which provide in contrast a non-governmental slant on the conflict, and show how it fitted into wider political discourses of the day on the sub-continent.
The Indian Communist Party’s US Arms for Pakistan, final page makes clear that for the ICP, who aligned with the Soviet Union, the conflict was part of wider regional geopolitics which at the time pitted the United States, Pakistan and China against India and the Soviet Union.
The second pamphlet Bangla Desh and Jana Sangh is from the Sampradayikta Virodhi Committee, an anti-communalist front formed in the 1960s to combat the rise of Hindu nationalism, and shows another interesting dynamic of the conflict, namely the clash between the Islamism of West Pakistan and the secular tendencies within the Bangladeshi independence struggle – and how this complicated analysis of the struggle for those viewing it through a solely Hindu/Muslim lens.
We definitely don’t pretend to be subject experts ourselves. Instead, we hope that this post highlights the value of the collection for those interested in the history of South Asia in the second half of the twentieth century. As well as illustrate the different light that the varied source material available in the BLDS Legacy Collection can shine on complicated historical events.
A glimpse into the audio archive of Harvey Matusow
By Duncan Harrison – UOSH Audio preservation engineer
A Political Career on Tape
The first thing to be aware of is that this audio content does not really provide a chronological narrative of Matusow’s life. Like everything related to him, we rather obtain snapshots or glimpses of varying size and quality into the numerous activities he undertook throughout the years. The political recordings, consisting of various appearances at home, on the radio and even during testimonial hearing, swing back and forth between the midst and immediate aftermath of Matusow’s ‘red baiting’ career. One moment we might hear Harvey in full anti-communist flight, warning a local radio audience or a rapt crowd of university students about the dangers of the movement, while the following tape will find him holding court with an interviewer in discussion about his forthcoming book which will reveal the lies and inaccuracies upon which recordings of the previous kind were apparently founded. This alone is valuable content in that it offers us real time, audible access to Matusow in the process of doing what made him most notorious.
Matusow discussing his testimony in preparation for the publication of ‘False Witness’ Ref: SxMs8/6/3/1
Matusow’s post-HUAC line was that he had become a communist whistle blower in order to expose the cynical inner workings of McCarthyism. In a section of one recording while speaking of his previous testimonies, Matusow describes himself as an ‘actor’ who treated his appearances as ‘performances’ and to take him at his word we can see evidence that this may well have been true. Throughout several of these documents Matusow appears to be operating with theatrical zeal – quick witted, charming and clearly riding high on a wave of oratory satisfaction – it is not difficult to believe that we are listening to a highly intelligent figure who might find themselves successfully portraying a role in the service of their own deeper critique of American political behaviour. When, for example, he reflects on his testimonies as a member of HAUC, laughing scornfully at how he was able to predict and manipulate proceedings in order to influence juries and create newspaper headlines, we might well be convinced that he understood how to play the system. However in many other recordings which capture him in the act of whistleblowing itself – filled with unhesitating naming of individuals, businesses and organisations accused of communist leanings – this strand of performativity is far less easy to corroborate or believe in. Knowing what we do about the real life consequences suffered by those unjustly blacklisted under McCarthy era trials, such recordings make for complex, difficult listening.
Matusow giving a speech in Montana 15.10.52 mentioning the names and occupations of local people considered to have assisted communist causes. Ref: SxMs8/6/2/16/1
The Stringless Yo-Yo: Matusow’s Creative Turn
Recordings in the creative archive also lend an interesting perspective to the political period of Matusow’s life, namely in the form of materials related to his ‘Stringless Yo-Yo’ film. There are around 11 tapes in total specifically marked as relevant to the Stringless Yo-Yo however many fragments of sound from this group can also be heard on other tapes in the collection too. The reels constitute various iterations of source material and master dubs of the film’s audio track, presumably intended for a number of different playback scenarios. The film, held by Screen Archive South East, is summarised as follows:
‘Harvey Matusow explores his complex relationship with the House of Un-American Activities Committee (HUAC) in two reels of film. A range of archival images and sounds are edited together in a non-linear, avant-garde format.’
 Screen Archive South East
Matusow’s repurposing of this material into a work of avant-garde audio visual collage is an interesting step which attempts to introduce radical new angles and context to his political work. Whether this creative act, or indeed Matusow’s swift move into the art world following the end of his prison sentence, represents an attempt to vindicate or simply rebrand his true involvement in that controversial period is another subject for unreconciled debate, but as efforts in their own right they evidence many hours of work, obsessive attention to detail and an overarching vision for the outcome and subsequent use of the film, centred at all times, of course, on his own story. The Stringless Yo-Yo emerges continuously throughout Matusow’s life and career; both as the name given to various different projects or ideas and that of an actual toy he claimed to have invented and at one point successfully took to market.
A clip from ‘The Stringless Yo-Yo’ which sees extracts from Matusow’s various hearings edited and layered with music and sound effects. Ref: SxMs23/13/10
But whether it was a film, a story or a child’s toy, Matusow surely always had something to sell and unquestionably the quick wit and persuasive charm to go with it. Whether it be in radio appearances promoting his festival or ‘International Society for the Abolition of Data Processing Machines’ movement, a lecture delivered here at Sussex University during the 1970s or even his pro-marijuana legalisation debate on the Alan Burke show, Matusow’s character when in creative salesman mode bares striking similarity to the Matusow we hear lifting the lid on political events that once saw him dubbed ‘the most hated man in America’.
Harvey Matusow using his airtime to plug on of many projects. Ref: SxMs23/13/47
Harvey’s background and early life as a kid raised on the streets of New York City is something he mentions often throughout the audio archive and while they only make up a small part of the collection, he saw fit to hold on to a handful of recordings featuring members of his own family discussing their lives and histories. In these recordings we obtain perhaps the most candid glimpses into Matusow’s life that can be found in the archive.
One reel from 1954 sees Harvey turn the tape recorder toward his parents during an informal yet insightful 30 minute conversation-cum-interview with Mr. Herman J. (‘don’t forget my middle initial!’) and Mrs. Sylvia K Matusow. In fantastic 1950’s style Russian-Jewish via New York City style accents they recall their early lives, memories of the old neighbourhood, past friends and business as well as stories from the childhood of Harvey and his elder brother Daniel. Much like Harvey, Herman Matusow is a charismatic raconteur; keen to share his stories and successes while Sylvia, unsurprisingly muscled out of conversation somewhat by the Matusow men, speaks in more measured yet no less loving and prideful tones about her family. This recording gives us quite a profound look at Harvey’s early life, with small details and stories of his childhood and character delivered with the authority and believability that only parental recollection can truly provide. The highlight of the recording is when, despite the informal nature of the taping, Herman Matusow makes a point to close the reel by saying:
‘…and here is to a wonderful little girl who is my wife. I can always say that she is responsible for my happy life and she was always by my side and god bless her forever and ever.’
Herman J. Matusow
In a way that can be quite typical of recordings made during this era, when the ability to record one’s own thoughts and feelings was relatively new, he wants to ensure that he states a clear expression of love and gratitude for his partner – as though this simple taping of family memories might one day be a message to the wider world. Even to the objective listener and many years since all concerned have passed on, it is a very touching moment which one feels glad Harvey Matusow thought to keep intact.
Herman J. Matusow tells a childhood story about Harvey before launching into impromptu song. Ref: SxMs23/13/6
In contrast to this happy moment, the next family recording features a conversation between Harvey and his mother. The tape is not dated but we can glean from the discussion that Herman has passed away and that Harvey is now evidently a father, visiting his mother with baby daughter in tow. Most of the conversation takes the form of Harvey quite aggressively taking his mother to task for various injustices he remembers as a child, principally accusing her of resenting him in his childhood because she had wished for a daughter. He seems to be picking an argument with her throughout the talk, probing and poking at her character and personality even when she attempts to move the discussion on. The tape ends with a separate recording of two sequential phone calls between them where we hear Mrs. Matusow expressing concerns about how often she sees and hears from Harvey and his daughter. We ultimately lack the necessary context to fairly judge either party for what we hear in these recordings, but it is undoubtedly a candid moment which we can only wonder why Harvey saw fit to record and preserve.
Two 7 inch recording discs from Matusow’s brother Daniel also feature in this small collection of family recordings. Captured on laminated card Recordio discs, the recordings were sent as audio letters from different stages of Daniel’s travels, seemingly during military service. This makes for an interesting addition to the archive since Harvey Matusow is here simply one of many family members briefly greeted and referred to in the short recordings. Daniel Matusow lost his life during WWII military service, a loss which seemed to deeply effect Harvey and is mentioned often as a motivation for his beliefs during anti-communist speeches. That Matusow held on to these audio letters of his brother’s voice for so many years and throughout so many changes in the direction of his life comes off as a quietly poignant and unresolved piece of his story.
Harvey’s brother, Daniel Matusow, sends an audio back to his family during military service. Ref: SxMs23/13/16
The final recording which touches on Matusow’s home life brings us back into the more familiar realms of his tightly curated public persona during the ‘London era’. Audio from an ITV production of ‘Aquarius’ offers a portrait of Matusow’s life with Anna Lockwood. A short piece featuring extracts of the couple at home, discussing creative projects and even in the midst of their 9th wedding (Matusow was known to enjoy marriage, having wed a number of women throughout his life and enjoying multiple ceremonies with each – this one is held in a piano factory), the content demonstrates perfectly Matusow’s ‘life as a performance’ claim. They are portrayed as an eccentric but in happily love couple whose artistic practice is purposefully indistinguishable from their life together. There is huge value in this recording for its insights into Anna Lockwood alone, who is at times irritatingly described more in the context of her marriage to Matusow rather than her considerable and influential work as an experimental artist and composer. Even so, the audio represents a rare instance in which Harvey happily shares the limelight, their chemistry is sweet and genuine as they lead the film crew through a tour of their home offering praise and compliments to each other’s work and achievements.
Annea Lockwood and Harvey Matusow give a tour of their garden during an episode of ITV’s ‘Aquarius’ on which they were featured. Ref: SxMs23/13/47
Matusow’s appetite for the limelight of public speaking certainly caused him many troubles in life but it also seemed to be his primary tool of survival. Where Matusow frequently dominates the room in these recordings – with an oratory style equal parts dinner party yarn, self-obsessed monologue and professional sales pitch – it is evident that his proclamations are met as much with love, affection and consideration by some as they are disgust and anger by others.
These tapes are but one component in an overwhelming bank of materials which may or may not lead to an objective truth about Harvey Matusow. For every question these recordings successfully answer, another ten are created, yet despite this, we can clearly hear an essence of the same person evident in all of them. To listen to this audio is to hear a man caught up in the constant of telling his own story; ready at a moment’s notice to grasp his next opportunity or make his next play. Do his words and actions represent those of an insincere and opportunistic self-reinventor? Or do they reflect a poker faced love for red herrings and curveballs fitting of an artist of the avant-garde? Whatever the case it can surely be no accident that he would, for a time at least, find himself in a cultural milieu for whom confusion and subversion were artworks in themselves. That so little of Harvey Matusow’s controversial life can be spoken of with any clarity, even today, must surely be his proudest performance of all.
Harvey Matusow and friends in conversation at KPFA Radio Studios, 1972, unaware that the tape was recording. Truth, fiction or somewhere in the middle? Ref: SxMs23/13/3
The Matusow papers are split into two collections SxMs8 and SxMs23, if you would like to consult the papers please visit The Keep website for further information, or email email@example.com
A glimpse into the audio archive of Harvey Matusow
By Duncan Harrison – UOSH Audio preservation engineer
The Sound of Mr. Matusow
As with everything else in the last 18 months, the work of the Unlocking Our Sound Heritage (UOSH) project has had to adapt around the restrictions of the Covid-19 pandemic. Back in April, with our project-specific recordings inaccessible until the summer months, we shifted focus onto digitising a number of recordings held in the Library Special Collections at the Keep. Among these recordings are several boxes of items belonging to the Harvey Matusow Archives.
For the uninitiated, Harvey Matusow (1926-2002) is a complex character to say the least. With a life said to ‘intersected every major artery of post-war America’ one could likely dedicate years of study to just a single facet of his existence without ever quite getting a hold on what the man was truly all about.
A (very) boiled down account of his life goes something like this:
Born 1926 in New York City to Russian immigrant parents, Matusow served in the Second World War before becoming affiliated with the communist part in Manhattan. In 1950 he approached the FBI offering his services as a paid informant, beginning a professional career in testimony and blacklisting which eventually saw him become campaign aide to Joseph McCarthy and member of the House of Unamerican Activities Committee (HUAC). The next few years in this capacity would see Matusow rise to the status of a minor celebrity in anti-communist circles before an eventual fall WHEN. Shockingly, he then recanted and produced his 1955 book ‘False Witness’ in which he revealed that much of his prior testimony was built not only on fiction and untruth but was actively encouraged and paid for by McCarthy et al. This admission ultimately landed Matusow in jail for perjury where he served a five year sentence (Wilhelm Reich was apparently in the cell next door). Upon his release, a socially ostracised Matusow struggled to build a new life in New York but found himself alienated and despised by many across all sides of the political spectrum. He decided to relocate to London in 1966, immediately attaching himself to the fledgling underground counterculture, spending a little under a decade working in the arts and media. Perhaps his most notable achievement during this era was to produce the International Carnival of Experimental Sound in 1972 – a veritable who (was) who of avant-garde music and experimental composition of the time, showcasing work from the likes of John Cage, Charlotte Moorman, Nam June Paik and Robert Ashley to name only a few. Following the event, Matusow moved back to America in 1973 and become involved with theatre and television, often in the guise of ‘Cockyboo’ – a clown persona he developed in this period. Accounts of the final decades of Matusow’s life depict a somewhat more sedate, spiritual existence in which he converted to the Mormon faith, changed his name for a time to Job, worked frequently with charitable causes and even became a children’s entertainer. In 2002 Matusow was involved in a car accident which would ultimately put an end to his dazzlingly unpredictable and multi directional life.
The materials held by Special Collections are split into two separate archives which chronicle Matusow’s political and creative pursuits across the years. Contained within both are a number of audio recordings captured mostly on open reel tape. My own interest in Matusow was piqued when I learned of his artistic inclinations during the 1970s. Upon Googling his name whilst digitising tapes from the political archive I was gobsmacked to read that Matusow had rubbed shoulders with such luminary artists as Henry Chopin, Lars-Gunnar Bodin, the Fylkingen group and, most staggeringly, composer Anna Lockwood to whom he had been married and collaborated with frequently. The name ‘Harvey Matusow’ was suddenly imbedded in an era of sound and culture that I had spent years of my life consuming, yet I could recall nothing of having ever noticed it before. As if the victim of a kind of avant-garde Mandela Effect, I began to realise that I even had music and writing by the man sat on my shelves at home.
In spite of these discoveries and even having now had the chance to digitise recordings from his creative archive, I cannot say I feel much closer to understanding precisely who he was, what he did nor why. It seems I am not alone in this confusion however as even still opinions of Matusow and views on his activities tend to be united only by an inability to arrive at a single, provable conclusion. Views on the nature of his true motivations as informant and member of HUAC still defy consensus, even in spite of the significant documentation and media attention those activities received. Voices from the Left and Right of American politics have described his conduct during this era as damaging and unethical, yet there also exists sympathetic praise for the way in which his movements exposed the grizzly political machinations of the age. Others simply paint Matusow as a career hustler, driven by spotting opportunities for renown and a quick buck more so than any of ideology he aligned himself with. Some will cite their admiration for just how much he engaged with in his life, particularly in the creative world, while by others he is regarded as a brazen claimant of achievements and initiatives that he was barely involved in. Even friends who describe him as affable, generous and creative company seem to measure their experiences with Matusow in grains of salt. Whatever divide he found himself straddling, views on Matusow from either end are often entangled in a web of personal relations, histories and the vested interests of a complex cast of figures both political and cultural. To further complicate matters, these divergent, independent opinions exist in comparative scarcity when placed within the wider narrative about Harvey Matusow, which more often than not tends to be formed from things previously said, written or recorded by the man himself.
With my engagement in the archive mostly limited to creating digital copies of the audio content (quickly and in large volumes) it would not be an especially interesting blog post for me to proffer my own opinions about what he might truly have been getting at. Rather, I find it more interesting to talk about some of what can be found in the archive itself, focussing simply on what it is we hear when listening. In a visual culture such as ours, audio recordings can often obscure as much as they reveal about their subjects and we are required to depend on a degree of imagination and guesswork when filling in the gaps left by a lack of visual confirmation. Audio materials also requires us to pay close attention to the content and listen intently lest we miss vital fragments of information which disappear as suddenly as they arrive. We do not have an aural equivalent for the term ‘blink and you’ll miss it’ but if we did, it would be a perfect description of the challenges in researching or cataloguing sound recordings. The trade-off when we do choose to engage with this form of listening is that such recordings can open up layers of detail unavailable to us in the materials we visually study. For someone like Matusow who evades easy classification and whose legacy exists largely as the result of his own curation, we find in his recordings a wealth of such details and the insights or contexts they can offer us are quite unlike anything we may find elsewhere in his extensive archives.
In next week’s post Duncan will be talking about and sharing some of his favourite audio clips from the Matusow archive.
The Matusow papers are split into two collections SxMs8 and SxMs23, if you would like to consult the papers please visit The Keep website for further information, or email firstname.lastname@example.org
It is Monday 1st February 2021, the UK is in lockdown and I am working from home, listening to a radio interview (UTK006/498) from 1973 with a councillor from Shoreham Urban District Council being interviewed by journalist Ivan Howlett. It’s from the Viewpoint series, part of the BBC Radio Brighton Collection held by the Royal Pavilion and Museum Trust, that is being preserved by the Unlocking Our Sound Heritage (UOSH) project. The councillor’s name is Maureen Colquhoun and she talks eloquently about her politics, why she is a socialist, about standing for Northampton North constituency for the Labour Party in the forthcoming 1974 general election. The interview lasts 30 minutes and touches on her commitment to encouraging more women into Parliament, the challenge of seeking election while being the ‘unfashionable age, for a woman, of 45’ and the isolation of the campaign trail:
“I don’t think people looking at politicians from the outside realise what an isolating experience it is. It’s very isolating to be a prospective candidate, you move into a town and you’re not really part of it, you’re something special to the Labour Party members and when you go into a room they are delighted to see you, tend to spoil you rather, but after the meeting you are more or less on your own in a hotel room. And this is a very lonely experience, in part, fighting for a parliamentary seat.”
She talks about the difficulty of being anti-Europe whilst your husband is pro-Europe:
“He’s a great political ideas man. He’s someone whose opinions I very much respect – I try out my ideas on him. We’ve had a very difficult breakfast time lately because he is pro-Europe and I am anti. And the number of eggs that have got ruined on the breakfast table is absolutely incredible. “
And she reflects openly on her own experience of being trapped, albeit happily, in the ‘career of marriage and motherhood’ that makes it hard for women to develop their own political careers. Somewhat uncomfortably for the listener, she also talks in a disparaging way about the ‘lower calibre’ of local politicians as opposed to national politicians. I am mildly interested and reflect on both how much has changed, along with how little, a common experience when listening to radio reporting from the 1970s. I then think no further of the interview.
The following day, Tuesday 2nd February 2021, still working from home, I read that a ground-breaking woman, the first out lesbian MP, has died at the age of 92. Her name was Maureen Colquhoun and before being selected as MP in Northampton, she was a councillor in West Sussex. Despite her significance and my own interest in women’s history and representation, I had never heard of her. The previous day I had listened with mild interest to the views of a 1970s county councillor and potential MP; now our Radio Brighton recording had suddenly grown in significance. Maureen Colquhoun was a committed politician with strong views and willing to stand her ground. In 1970 Shoreham Urban District Council tried to block her from being appointed to certain committee roles on the grounds that she ‘talked too much’! Happily for us today, she was willing to talk to the local radio station, Radio Brighton and she appears on local election day broadcasts (UTK006/440) and also a short piece from 1972 where she is critical of ‘piecemeal’ plans for the Saltings Bridge in Shoreham, the town that she represented (UTK006/428). However, the 1973 Viewpoint programme is a full half-hour interview, providing her with the opportunity to expand on her views, and to talk passionately and humorously at times, about the things that mattered to her. With my new knowledge, I re-listened with a different ear to the interview, slightly shamed by my only fleeting interest the day before and intrigued to hear more about this woman whose parliamentary career became significant, but perhaps not for the reason she would have chosen.
Maureen Colquhoun – Decision to go into politics
In 1974 Maureen Colquhoun was successful in her bid to become the MP for Northampton North and stood down from her Shoreham council seat in February of that year. While an MP she introduced the Balance of the Sexes bill, with the objective of requiring equal numbers of men and women on public bodies, and the Protection of Prostitutes Bill, campaigning for the decriminalisation of prostitution. She was an active socialist and feminist who came to Parliament to create change, but in 1979 she lost her seat and never returned to Parliament. The loss of her seat was due in no small part to the fact that she had been outed as a lesbian in 1975. Gossip columnist Nigel Dempster had reported in the Daily Mail that she had left her husband to live with Barbara Todd, the editor of Sappho magazine. In due course her local Labour Party de-selected her as their candidate for the 1979 election (subsequently overturned), apparently citing her ‘obsession with trivialities such as women’s rights’ and saying that ‘She was elected as a working wife and mother … this business has blackened her image irredeemably’. Although she didn’t return to Parliament, she remained active in local politics and on driving change in public representation.
Working your way through a large preservation project, it can be hard to hold on to the sense of the value of the material that is being preserved. Some rare or very topical recordings are clearly going to be of significance to future generations, but a lot of the time we just don’t know. After many hours of work on a collection, you can wonder whether anybody will ever listen to it again! Then an interview like this pops up and we are reminded as to why we are preserving these recordings. Knowing of her future, I listen to her 1973 words with more intent, with closer attention. We don’t know what will be of significance to future audiences, but if we let this material decay, if it sits uncatalogued, nobody will have the chance to discover.
Unlocking Our Sound Heritage (UOSH) is digitising and cataloguing the Radio Brighton collection for the Royal Pavilion and Museum Trust (RPMT). All material preserved through the UOSH project was selected against criteria of rarity, relevance and the risk it faced. The original tapes are stored at The Keep and a digital preservation copy of the audio files is now held at the British Library. Every digitised recording is also catalogued for the British Library’s Sound and Moving Image catalogue (sami.bl.uk). The catalogue for the interview with Maureen Colquhoun can be found on SAMI as UTK006/498.
These days, most people know there ain’t no party like an S Club Party (well if you were born before 1990) but at Sussex in the early 1980s East Slope parties held that crown judging by a couple of photos from a new donation to the University of Sussex Collection.
These photos were taken by Dave Biddlecombe, an alumus who contacted us recently to donate 24 of his photographs to the collection. Dave was also the official photographer for Bright Red, a Brighton based drama company made up of SUDS (Sussex University Drama Society) graduates.
Dave also sent a photo of the poster for a SUDS production of Midsummer night’s Dream. Dave said “this was performed in the woods behind the Gardner Arts Centre with lighting in the trees and was one of the most magical performances I have seen”
So former students be warned even without Instagram and Facebook your party antics may well have been recorded and kept for prosperity at The Keep.
By Danny Millum – BLDS Metadata and Discovery Officer
Normally when you tell your family / friends about what you do, unless you’re a fireman or a nurse they just zone out (especially when your job title is Metadata Discovery Officer).
But it really seems as if the BLDS was actually my genetic destiny, as it turned out that not only was my dad interested in the project but it turns out that collecting African pamphlets runs in the family.
Buried in our loft were the following:
East African Annual 1934-35 – Tanganyika, Kenya, Uganda, Zanzibar
Zambia 1964-74 – celebrating ten years of independence
The East African Annual is just one of a set inherited from one of my great uncles, either Owen or Edward. Owen was in the Royal Navy and travelled out to New Zealand via East Africa more than once. He died when his ship was torpedoed in 1943.
Those from 1947 and 1958 would be brought by Edward, who was in the Merchant Navy but served in the RAF during the war. During his time in the Navy he was memorably entertained by Vera Lynn in Burma. She apparently sang from the wing of the aircraft she’d arrived in and he got her autograph but subsequently gambled it away – certainly the picture of him hungover suggests that such dissolute behaviour (so atypical for a Millum) may not have been a one-off.
The Zambian materials are more recent – my parents taught out there in the early 1970s when the newly independent country was clearly so desperate for teachers that it was prepared to hire any old hippie that walked out of the jungle.
Anyway, my dad’s now threatening to donate all these boxes of material to the BLDS Legacy collection – really hope he doesn’t find much more buried in the attic or at this rate this project is never going to end…..
(First posted on The University of Sussex Library staff blog May 2020)
By Danny Millum – BLDS Metadata and Discovery Officer
One of the many consequences of the pandemic has been to accelerate the development and adoption of new teaching methods, with all the associated stress for teachers and students of having to hurriedly adapt to new approaches and new buzzwords. It’s hard to know which has been more of a headache – having to understand the difference between asynchronous rotation and blended hybrid or to listen to people complain about them.
So it is in fact a bit of a relief to retreat to our BLDS Legacy publications and come across a more old school approach from the late 1960s, an era of close Indo-Soviet ties and exchanges, and where the cutting edge was the humble correspondence course.
This rare pamphlet from the Indian Ministry of Education details the visit of a three-man delegation of Indian educationalists to the USSR between 30 March and April 27 1967, as the world’s second most populous nation sought inspiration in reducing its high rates of illiteracy. The reason they were looking to the Soviets was two-fold – the close relationship between the two countries during the Cold War and the apparent success of the USSR using correspondence courses to overcome their teacher shortage , a vital step in in eradicating literacy and one which the Indian government also needed to solve.
The delegation certainly seemed to be impressed by what they found, gushing that;
‘through this extensive campaign of adult literacy work, carried through numberless persons trained through correspondence course that illiteracy had been practically wiped out of the country in the course of two decades’
Propaganda? Almost certainly – evidence for this is that Russian correspondence material was being reported by the 1990s to be often unreadable! But were the Russians pulling the wool over their guests’ eyes? Or did the Indian delegation want to report the successes of socialism for their own purposes? And before we get too judgemental, examples of nauseating triumphalism – I mean ‘huge success’ – are just a quick UK Department of Education Google away.
Anyway, for those sick of Zoom breakout rooms and interested in finding out more about the Soviet Zoom alternative, the BLDS team (email@example.com) will be happy to answer any follow up questions. Asynchronously of course.
2. Kourotchkina, Anna & Zawacki-Richter, Olaf, (June 2012). ‘The development of distance education in the Russian Federation and the Former Soviet Union’, The international review of research in open and distance learning, Vol 13, No 3, pp. 165-184.
3. Department of Education, (March 2016). ‘DfE strategy 2015-2020 World-class education and care’, pp. 1-39.
By Caroline Marchant-Wallis – BLDS Metadata and Discovery Officer
I was chatting to my Librarian mentor recently about how we approached starting the BLDS Legacy Collection project, and I realised it was a good question. What did we do? Having been caught up in the whirlwind of the project for the past 18 months, it feels like a good time to start looking at what we have been up to.
So this is the first in what will be a series of posts over the next year or so about the BLDS project; how we have been managing it, things that have caused us sleepless nights, the highs of seeing the collection coming together, and as with most things these days some chat about how we dealt with Covid and not being able to access our collection for 6 months.
For background information on the BLDS Legacy Collection, see our previous posts here)
In the beginning…
October 2019…feelings: overwhelmed….
Walking into the IDS basement – where the BLDS Legacy Collection is housed – and seeing stack after stack after stack of densely populated shelves of material that it is your responsibility to organise, rationalise and make accessible in 3 years is a daunting prospect. One which I can’t deny did for quite a few months leave us feeling slightly panicked. To help you picture the size of the collection, when we started the project it contained roughly 4,000m of pamphlets, censuses, annual reports, monographs, journals, government publications and more.
So where did we start?
Well with a bit of good old-fashioned tidying up of the space for starters, (tidy workspace tidy librarian brain) including removing all the extraneous material and matter that had found its way into the basement over the years. A good old declutter always makes things better (although my other half dreads it when I utter that word) Then we set about trying to understand what we had become custodians of. We did this by reading through documentation created by previous librarians and IDS academics, and by physically going through the collection a shelf at a time, creating a listing of what organisations and countries were represented in the collection.
This listing had a number of purposes, firstly it helped us to know what we were working with, and secondly it ensured we were able to locate material and answer basic queries from those requiring items from the collection whilst we are working on the project.
Alongside this we were also thinking about the future preservation of the material and the physical space. We consulted with the conservator at The Keep who alleviated our fears over the condition of the material, and advised on what we could do in terms of storage. As with most projects, our budget is tight, so coming up with storage solutions that both supported and preserved the material whilst not breaking the bank was vital. We opted for pamphlet boxes, and luckily the library had a lot spare so we were able to use these for the first 300m – after that we sourced a cardboard acid-free option. I could go on and on about why pamphlet boxes instead of being straight on the shelves or closed boxes, but as I have been warned before, that might not be a very interesting topic.
Due to the location and nature of the material it was decided (in consultation with management and the project advisory board) that it would be a closed collection, making decisions regarding retrieval much easier, and also meaning we did not have to physically reorder the whole collection, which would have taken 3 years on its own. We were able instead to apply a structue on to the collection which allowed for both simple retrieval but also maintained the provenance of how the collection was originally ordered. The only exception to this was if a country had changed its name in which case we decided to move material to sit alphabetically under its current name. So for example, Ceylon changed, and moved, to Sri Lanka.
Once we had a greater understanding of what we physically had and how it would be stored, we were able to start thinking about our metadata schema, subject headings and themes which we wanted to apply to the material.
The University of Sussex (UoS) catalogues using Resource Description and Access (RDA) , Machine Readable Cataloguing Standards (MARC21), and Library of Congress Subject Headings (LCSH), along with the Library of Congress classification scheme (LOC). As the collection catalogue would be hosted on the UoS Library catalogue it did not make sense to catalogue in a different way. We however needed to add in BLDS-specific information to aid discoverability. We did this in discussion with the UoS cataloguing team and decided to add in a 583 field to our schema, which would contain information on what we decided to call ‘themes’.
The collection is vast so we needed something which would help to aid thematic and longitudinal research as well as country-focused investigation. To solve this we created 19 themes, a combination of which which could be applied to each item we catalogue, with the information being entered into our bespoke 583 field.
What this then allowed us to do was filter records based on theme, and create a Primo Discovery database through which users can easily search resources within a certain theme and across countries.
With all of these decisions made, plus so many others which included: how to arrange skip hire (for disposals), what barcode numbering to use, pest control, and so many other tiny decisions it has been full on. With many unexpected challenges, but we are getting there, and having managed to keep on track despite Covid we pretty pleased with how things are going.
That’s a quick whistle stop tour through how we started the project and some of the decisions made. Look out for future posts on other aspects of managing the BLDS project.